BEGIN:VCALENDAR VERSION:2.0 PRODID:-//Drupal: Date iCal//NONSGML kigkonsult.se iCalcreator 2.18// METHOD:PUBLISH X-WR-CALNAME;VALUE=TEXT:Calendar of Events BEGIN:VTIMEZONE TZID:America/New_York BEGIN:STANDARD DTSTART:20131103T020000 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20140309T020000 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT UID:calendar.8679.field_date.0@calendar.lafayette.edu DTSTAMP:20260512T010642Z DESCRIPTION:Normal\n0\nfalse\nfalse\nfalse\nEN-US\nX-NONE\nX-NONE\n\n\nDefS emiHidden='true' DefQFormat='false' DefPriority='99'\nLatentStyleCount='26 7'>\nUnhideWhenUsed='false' QFormat='true' Name='Normal'/>\nUnhideWhenUsed ='false' QFormat='true' Name='heading 1'/>\nUnhideWhenUsed='false' QFormat ='true' Name='Title'/>\nUnhideWhenUsed='false' QFormat='true' Name='Subtit le'/>\nUnhideWhenUsed='false' QFormat='true' Name='Strong'/>\nUnhideWhenUs ed='false' QFormat='true' 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Reference'/>\nUnhideWhenUsed='false' QFormat='true' Name='Book Ti tle'/>\n\n/* Style Definitions */\n table.MsoNormalTable\n {mso-style-name :'Table Normal'\;\n mso-tstyle-rowband-size:0\;\n mso-tstyle-colband-size:0\ ;\n mso-style-noshow:yes\;\n mso-style-priority:99\;\n mso-style-qformat:yes\ ;\n mso-style-parent:''\;\n mso-padding-alt:0in 5.4pt 0in 5.4pt\;\n mso-para- margin-top:0in\;\n mso-para-margin-right:0in\;\n mso-para-margin-bottom:10.0 pt\;\n mso-para-margin-left:0in\;\n line-height:115%\;\n mso-pagination:widow -orphan\;\n font-size:11.0pt\;\n font-family:'Segoe UI Light'\,'sans-serif'\ ;}\n\n·         Carlos Runcie-Tanaka is one of Peru’s most important \nart ists. He has represented Peru at international biennials including the 4th \nand 5th Havana Biennial\, the 49th Venice Biennale\, the 8th Cuenca Bie nnial \nand the 26th São Paulo Biennial.\n\n/ /\n\nOriginally a ceramicist \, Runcie-Tanaka has used a variety of other mediums \nover the past sever al years and currently\nworks with installation\, site‐specific works\, an d video production. His \nwork operates on many social\, cultural\, and po litical levels and stems from \nhis own life experiences living in Peru as a descendent of British and \nJapanese grandfathers\, who arrived by sea to Peru  the 1920s. His Japanese \ngrandfather was among immigrants to Per u looking for new  opportunities and \ntheir descendants are members of a substantial Japanese-Peruvian community. \n The Lafayette installation\, / Cloud\,/ includes 36 folded white crabs\, a \npotent symbol of migration\, displacement\, cultural identity\, and adaptation.\n\n  DTSTART;TZID=America/New_York:20131008T121500 DTEND;TZID=America/New_York:20131008T130000 LAST-MODIFIED:20131002T094101Z LOCATION:Williams Center 108 SUMMARY:Artist's talk: Carlos Runcie-Tanaka URL;TYPE=URI:https://calendar.lafayette.edu/node/8679 END:VEVENT END:VCALENDAR