Paul Tran (they/them) is a Visiting Faculty in Poetry at Pacific University MFA in Writing and a Wallace Stegner Fellow in Poetry at Stanford University. A recipient of the Ruth Lilly & Dorothy Sargent Rosenberg Fellowship from the Poetry Foundation and a Discovery/Boston Review Poetry Prize, their work appears in The New Yorker, The Nation, Best American Poetry, and elsewhere.
Paul earned their B.A. in history from Brown University and M.F.A. in poetry from Washington University in St. Louis, where they won the Howard Nemerov Prize, Dorothy Negri Prize, and Norma Lowry Memorial Award. As the Chancellor’s Graduate Fellow (2017-19) and Senior Poetry Fellow (2019-20) in the Writing Program, and as Faculty in Poetry (2020-Present) in the Summer Writers Institute, Paul has taught the introductory, intermediate, and advanced poetry workshops at WashU.
From 2013-18, Paul coached the poetry slam teams at Brown University, Barnard College & Columbia University, and Washington University in St. Louis. Paul was the first Asian American since 1993—and first transgender poet ever—to win the Nuyorican Poets Café Grand Slam, placing top 10 at the Individual World Poetry Slam and top 2 at the National Poetry Slam. A two-time winner of the Rustbelt Poetry Slam, Paul has served as Poet-in-Residence at Urban Word NYC and head poetry slam coach at Urban Arts Alliance in St. Louis, which won the Brave New Voices Grand Slam Championship in 2019.
For their writing and teaching, Paul has received support from Kundiman, Voices of Our Nations Arts Foundation, Poets House, Lambda Literary Foundation, Napa Valley Writers Conference, the Home School, Vermont Studio Center, the Conversation Literary Festival, Palm Beach Poetry Festival, Miami Writers Institute, Fine Arts Work Center in Provincetown, Lighthouse Writers Workshop, the Eliza So Fellowship (from Submittable, Plympton, and the Writer’s Block), Bread Loaf Writers Conference, Diasporic Vietnamese Artist Network & Djerrasi Artist Residency, the Soze Foundation, the Luminary & Andy Warhol Foundation for the Visual Arts, the Regional Arts Commission of St. Louis, Kenyon Review Writers Workshop, and the National Endowment for the Arts.